Archive for the ‘Whimsical’ Category

Tin Treasures to Love

Artist unidentified, ca. 1880; Michigan

Artist unidentified, ca. 1880; New York

Today I happened upon a precious find at the American Folk Art Museum, a fantastic if under-appreciated museum that shares an exterior wall with the behemoth Museum of Modern Art (MoMA) in Midtown Manhattan.

I am quite unfamiliar with the traditions and materials attached to wedding anniversaries.  I’ve been married for 1 yr, 4 mths, and 13 days, but I would hate to pare it down to the quantitative.  Nope, I’d rather talk qualitative.

In my home, I thought anniversaries were celebrated thusly:  husband inscribes book to forward-thinking wife on the merits of equal adulthood (feminism); wife diligently selects longevity products to ensure husband doesn’t keel over at young age. The whole paper, cotton, leather and so forth celebrations are new to me.

These images are from the American Folk Art Museum’s permanent collection. Instantly, I was enamored with these tin treasures of love, once shared by a couple honoring a 10th wedding anniversary.  Tin is a medium with great possibility, a material that can be wrought into ornate motifs or left bare to age freely with the elements.  Doesn’t that represent the the ideal harmony of a marriage well made?

A dive into the history of these light-hearted pieces will help encourage further delight.  Below is an excerpt on the tin anniversary tradition from the museum’s website.

The custom of giving anniversary gifts of increasing value through the years of marriage originated in medieval Germany but was interpreted in a whimsical manner in Victorian America. During the second half of the nineteenth century, the tenth—or tin—anniversary became an occasion of riotous celebration, and whimsical gifts made of tin were presented to the married couple. Often they were oversized replicas of everyday items or humorous pieces with personal meaning. In 1881, John H. Young wrote that the custom of “celebrating wedding anniversaries has of late been largely practiced.” Ten years later, Richard A. Wells, in Culture and Dress of the Best Society, suggested that “a general frolic is in order at the tin wedding. It is an occasion for getting together old friends after ten years of married life. . . . The invitations for this anniversary may be made upon cards covered with tin foil or upon the ordinary wedding note paper with a tin card enclosed. Those guests who desire to accompany their congratulations with appropriate presents have the whole list of articles manufactured by the tinner from which to select.”

Professional tinsmiths cut the pieces from sheet tin using templates, and the sections were soldered together. The seams were hooked over each other and hammered to create a tight seal. Surviving anniversary tin demonstrates not only the skill with which the items were fashioned but also the variety of forms available. The top hat, eyeglasses, slippers, bonnet, and bow tie are part of a group of more than twenty pieces discovered together in Gobles, Michigan, and were probably gifts from a single tenth-anniversary celebration.

What traditions of love do you craft or collect?  Does material carry meaning?

Love, Loss and What You wore?

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I’ve been meaning to read the book Love, Loss and What I Wore by Ilene Beckerman,  but am happy to know it’s now been made into a Broadway play by Nora and Delia Ephron.

This morning, the Ephrons are visiting the Martha Stewart Show, reminiscing with great nostalgia about what they wore to their first proms and to their brownie meetings.  The domestic doyenne doesn’t hesitate to share a story about how she hid a bra from her mother (who was apparently in denial about Martha’s burgeoning womanhood) in the back of her closet until her displeased mother discovered it.

We all have memories of what we wore when a significant event happened in our lives.  The Aussie actor Simon Baker remembers handmade swim trunks, my mother remembers the-in-her-words jazzy raincoat and hat she made during her college days.  I remember a friend’s black poodle skirt that I’d beg to wear any chance I got.  I felt transported to the 1950s, a period that I had assumed was America’s utopia.

What were you wearing?

Simon Baker Sews Respect on Rachael Ray

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An unbeatable benefit of living in New York City is the variety of unique opportunities at our disposal on any given day. One of them was scoring tickets to the Rachael Ray Show.  Admittedly, I have never identified with her TV persona, finding the cloying cookery lingo excessive. EVOO FOREVER!

She is a different woman in person – much sharper, all business, and very real.  When Simon Baker came to the show, Rachael drew a wealth of information from this hunky, yet surprisingly introverted star.  She also turned the actor of The Mentalist into a sentimentalist.

When Rachael brought the discussion to Patrick Jane’s trademark vest – a wardrobe selection he believed best suited the character – Baker’s tone abruptly changed from shy to unreserved and emotional.  Sitting up straight and looking the audience dead in the eye, Baker explained the genesis of his appreciation for sartorial sentimentalism.  He recounted with warm reverence how, as a boy, his mother sewed all his clothing, including a pair of swim trunks that performed like Quiksilver’s, yet were made with a love that can only only come from the labor of a mother’s hand.

Baker’s unexpected foray into the domestic scene of his childhood was an intimacy that encouraged tears.  But, beneath the tender moment, I felt a sickening panic rise within.

My future self wants my kiddies to remember the handmade hugs that protected them during their stormiest and sunniest of days.  My present self is at odds with the sewing machine. Even when I do get the beast to hum along, will I have opened Pandora’s sewing box?

By the way, can anyone identify me in the audience snapshot above? Here’s a hint.

Echo Decorate

The September 2009 wedding anniversary celebration is drawing to a close, and what better way to do so than with a look at some decor details that made our wedding – and hopefully will make yours – special. Before I return to the nooks and crannies of craft, entrepreneurship and a sundry of other items that challenge our private and public selves, let’s take a peak at those finishing elements that can make your fete unforgettable.

When I was planning, the word echo kept, well, echoooooooing in my head.  I wanted the flowers to echo the linens, the linens to echo a color in the draperies, the ambient lighting to echo the regal, yet relaxed charm of the Crane Estate.

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Echo Decorate

Use this catchy rhyme as your wedding planning maxim.  At all stages, ask yourself whether x relates to y.  Does this work harmoniously with that? Does each bring out surprising aesthetic qualities in the other that make you wonder how x or y could have existed solo?  If your tendency is to select a vase or a napkin on the sole justification that each looks “pretty,” this method will lead you and your guests nowhere.  What you’ll have is a banquet room stuffed to the brim with a disjointed collection of bric-a-brac.

Stationery & Fonts

The first impression comes on paper (or web).  This is how you set the mood.  If your wedding is going to be held in a stone stable in the country, don’t send invitations themed for a grand ball in a palace.  I don’t know about you, but I would come with fussy heels and a long dress on, a shocker when I find that I have to negotiate hay and mud.

Again, fonts should not have scrolling flourishes if you are aiming for a quieter, simpler tone.  It just gives a wrong visual.  Speaking of that, nothing can be more visually vicious than an invitation you can’t read or need spectacles to decipher.  In addition to being legible, New England Narrow, the font on all our paper goods, channeled the sober, old world New England tenor of the ceremony.

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Lighting

Three main types of lighting are ambient, task and accent.  If you have $1 left, without a blink put it towards lighting.  In a gentle, soft ambient light, everything is more dreamy and cozy.  Our dining and cocktail tables were drenched in hurricane lamps of various sizes, which gave guests a warm welcome and (I think) encouraged conversation.  The moody candles echoed the sheen of the burgundy dupioni table cloths perfectly, picking up the lighter side of the burgundy at one moment and casting it in blackness the next.  A nice touch to a lackluster venue is to add uplighting to the interior and exterior, such as an amber hue – which we used – to illuminate our space into something reminiscent of a jewel box.

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Place Setting

Since both the estate’s dining rooms had ornate window coverings and the cocktail linens were stylized embroidery, simple place settings would echo the crisp block lettering on our wedding invitations.  Cream plates and glass goblets with rimmed in gold fit the bill.  Mirroring the golden halo around the hurricane lanterns, the rimmed place settings and honeyed flatware engaged in a delightful interplay with the rooms’ abundant pillar candles.  I cried and went to heaven when I saw this the night of!

flowers

Floral Arrangements

Floral arrangements are a craft of themselves.  Ask any florist.  While floral designer Dana Markos could place his work in a barren hall and it would make a statement all its own, I viewed his arrangements as the unifying touch. Without thoughtful vivid sprays of color and organic form, our cream dinnerware would have fallen flat and the sage and sallow paint in the dining rooms would have become a boring eyesore.  Flowers have a special way of tying it all together, elevating the functional to the decorative and marrying any lost decor details to the surroundings.

My husband always jokes that I have a “symphony of plates, saucers, crystal dancing in my head.”!  It is true, I am a shameful collector of all things that enhance the entertaining experience.  The multitude of patterned plates, servers, and canape dishes in my home attests to this FUN addiction.  The key to setting a harmonious environment is to consciously select items that enhance and echo the others’ aesthetic qualities.  Otherwise, it’s going to look like you invited guests to an estate sale, not a joyous celebration.

Tips to add?  Critiques?  Do share!

Crafting a Classic Tablescape: Guide to Linens

Last Sunday we celebrated our first wedding anniversary in joyously simple fashion:  We cooked dinner at home, using fresh, yet entirely decadent ingredients that we gathered together at markets in our Upper West Side neighborhood.  It has been a week of reflection, actually a year, but this week I revisited the actual day with an eye on aesthetics. On the eve of a second year, I wanted to know if the decor, and for today’s article the table linens, would surpass the test of time.  In other words, when you look at these pictures a few years from now will you slap an “oh, that’s so circa 200x’s” at the end of your sentence? I bet not!

Linens Dining

Here are the factors I took into consideration, which you can use as your guide as you move forward in the planning process.

From the outset, work to undestand what visual function your table linens will play

Gather

First, look closely at your venue, gathering information about its location; size; architectural qualities (e.g. is it a tudor or contemporary?); interior color palette; furnishings; and lighting.  Taking all these elements into consideration will give you the overall feel for the space.

Assess

Now assess the room(s) where your table linens will be.  Is the room paneled in dark oak or is it a white, airy box?  Are there any patterns on arm chairs or draperies that may compete against your desired linen color or pattern?

Our venue, Castle Hill a picturesque seaside estate in Ipswich, MA was a truly perfect location for our early fall wedding.  It did however have its drawbacks when it came to decor, which I considered carefully when choosing table linens.  In the Main Dining Room (below) and The Family Dining Room (above) there were two sets of draperies, each with unique color palettes and floral patterns!  Ugh, an obstacle. . .

These are limiting factors, which when closely examined, should help achieve greater focus to the overall decor of your event.

Edit

Armed with visual clues and the venue layout, go back to the drawing board.  I logged many hours online and at Table Toppers custom linen retailers prior to my first walk-through of Castle Hill.  After the visit, however, my color and pattern options were greatly reduced, making the linen selection process much simpler.  I tossed out the fire orange pintuck and the moss bengaline fabrics in favor of a crisper, more stately fabric that would let the whole venue, not just the tables shine:  burgundy dupioni.

I did have my heart set on a luxury custom fabric called Paradise Rust.  Initially, I wanted it on every table, but the drapes non only competed with the pattern but the floral motif would become dizzying on so many tables.  Instead, I opted to take the bolder fabric outdoors to the cocktail rounds, saving the guests’ eyes from visual overkill (below).

Visualize

Now that you have narrowed your search, grab a book of your favorite swatches and think hard about how each color, pattern will relate to the surroundings. If the space is dark, consider fabrics that reflect light.  If the space has little visual intrigue, consider making your linens a focal point. Bring dimension to the space by selecting a dupioni, which creates a dark-light effect when candlelight flickers over it.  If the walls are a dull sallow color, find a warm, spunky fabric that pops.

Whether you opt to subordinate the linens to the background or to make them the center of attention, use the above tutorial to hone in on a consistent look that reflects you and honors the integrity of your venue.

main_dining

napkin

I took a simple napkin and bordered it with an autumnal burgundy-red fabric called Spice Ellis Scroll. This lent an added element of interest while moving the guest’s eye to the plates and on to the floral arrangements

floral_table

The harp back chairs mirror the curvilinear vines of the fabric; the small rose arrangement in the Julep cup does not overpower the linen’s bright, bold pattern

cocktail_rounds

Rather than cover all cocktail rounds in Paradise Rust, it was more cohesive to tie some of the inside to the outside. To do this, simply bring the dining table linens outdoors like I did with this burgundy dupioni (on the high top in the background).

When you look back at your wedding decor does it still speak to you?  If not, what might you have done differently? Come now, don’t be afraid to air your dirty… linens!

HouseCraft in America’s North Country

One Woman’s Enlightened Vision of Homecrafting

Yes, to my surprise, housecraft is a word.

How many of us think that house keeping is drudgery, that in pursuit of perfection we’ve subscribed to a lifelong task of Swiffering, vacuuming, dusting, and dish washing?  Keeping house, I learned on recent vacation to Tapawingo, New York’s storied Adirondack getaway, is a lot different than keeping home.

50s_appliance

Keeping House is the acceptance of culturally codified rules, beliefs and myths that for generations have informed the domestic ideal.  Followers of “keeping house” pray to the Windex Wizard and pay deference to the Clorox King and his lady the Queen of Clean.  They see self reflection in the image of a spotless stove and believe that material goods will bestow years of prosperity and happiness.

Keeping Home is the throwing away of this false religion.  It’s the empowering notion that the home is something that each of us creates as a reflection of individual desires and needs.  Home is not a commodity.

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Tapawingo’s open air kitchen, all designed and crafted by her and her late husband

Tapawingo is a place of lore so seemingly untrue that you may not believe it exists.  It is a family home that from the 1940s on gradually pieced into a compound, hand built by Margo Fish (at right) and her late husband Howard. Howard proposed to 15-year-old Margo on Tapawingo’s porch;  A half century later, he unexpectedly passed while on a walk in the woods near their cherished place.  Margo, full of life, zest, sadness, love and memories carries Tapawingo’s torch into the future.

Margo also carries all sorts of things to fashion Tapawingo into the famed magical cabin-manor it has become.  During the 4-day stay, Margo managed the affairs of her home with vigor, yet effortless mastery.  At any moment, I would catch her with broom in hand, brushing away the leaves that fell from nature’s trees; plucking a fern on a whim for replanting; carrying petrified birch to line Tapawingo’s winding paths; and, straining a boiling pot of baby red potatoes for that evening’s impromptu dinner party of 20.

A Reflection on the Meaning of Home

On the last evening while I sat looking into the mirror that is Lake Placid on another of Margo’s hand creations, a rough-hewn twig and wood porch chair (she taught herself how to make all the furniture at Tapawingo), my thoughts turned to my own home.  Since our wedding a year ago, I have been grappling with the concept of housecraft and whether I could find empowerment and self expression in this venue. Do you ask the same?

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Margo’s handcrafted furniture, deck railings overlooking Lake Placid (above) and twig hutch for silver and glass

After Margo’s Tapawingo, it became crystal clear:  we don’t find ourselves in a home, we are the home.  It’s subtle, I know.  By shaping, molding, and working raw materials into beautiful, utilitarian structures and furnishings like Margo, we debunk the myth that the home is something we are powerless to create.  By not buying into commodity culture or praying to false domestic gods, Margo evolves home craft into a transcendent, self-empowering, spiritual practice.

Home is the extension of the self, carrying with it history, integrity, morals, values, and dreams. I feel less afraid of my home and more at peace with the potential of crafting my own version. Unfortunately, I’m just afraid I won’t be able to craft one with as much grace and sprezzatura as Margo.

What do you think?  Are their differences between house and home?  Is the practice of homecrafting empowering or destructive to women?  If you know of any woman or man who has a unique take on housecraft, share here.

Preparing The Clueless Crafter for a Public Debut

flyer

Flyer advertising the Short Interview (Phase II) portion of thecluelesscrafter.com

Hot off the FedEx Kinko’s printers (above) is the first official document attesting that thecluelesscrafter.com is a real business venture ready to take off.  I must admit it to be deeply satisfying to see and hold this burgundy gem in the flesh.  A couple of weeks ago, I set a firm deadline that this flyer would be finished by Wednesday, July 8th, a mere three days before the Art Fair on the Square.  Not only did the job get done on time, it got done with a certain amount of panache.  Yes, I may be intoxicated by my own success, but it would be incomprehensible to me why this flyer in tandem with a well-rehearsed pitch would not immediately convince crafters, artisans, and artists alike to hop right onto their Mac books to fill out the Short Interview.

The next step is to develop a short pitch that will convert Saturday’s exhibitors into loyal followers of thecluelesscrafter.