Posts Tagged ‘Fashion’

Cloche Up

"Mad as a Hatter" ~ In order to bind felt fibers the millinery industry used mercury. Felt fluff would be inhaled by the milliners and over time the mercury would drive them mad.

Not a moment longer will I keep the news under hat (oh no no, dear you, such trickery is old hat).  Tis true! The oft-obsessed about cloche  now sits jauntily atop my obsessed noggin!

After a lazy Bleecker Street brunch, Mr. Husband and I swooped into SoHo’s The Hat Shop to pick up the custom Guy Carsone aubergine chapeau.

If you look cloche up, the hands of the maker (in this case monsieur Brooklyn milliner, Guy) are imprinted in its felt.  You can feel it! I felt it.

You may think I’m talking through my hat.  Why don’t you throw your hat in the ring?  I guarantee you’ll sense a thing or two new.  If not, I’ll eat my hat.

By Jove, who knew the chapeau had (la haute) cultural currency?

Alcohol + Accessories

In the 1920s, cloches were coded. A firm knot trim indicated the wearer was married and unavailable. An arrow-shaped ribbon indicated a single girl that was already in love, and a flashy bow meant single and looking for love!

Craft your own cloche? Click here.

Recession depression is curable, so it seems.  A furtive swig from the forbidden flask under the cover of a coveted cloche is the perfect cocktail for hard times. A Valentine’s Day visit to Soho’s The Hat Shop reaffirmed this medical fact.

Historically, during financial crises sales of alcohol and accessories climb.  Linda Pagan, proprietress of SoHo’s The Hat Shop and devotee to the church of chapeaux (I suspect she has a hat for every day and occasion), remarked that last year business boomed.   Why would I not contribute to her good fortune, a gesture that not only warms the head but the heart? Millinery is a handcraft infused with historical, political, and social importance, and one that requires concerted attention to preserve.  From top hat to bonnet to veil, what is worn on the head tells many tales – some tall, some short – of the person underneath.

As a gift from my husband and in our effort to support the handmade, I anxiously await a custom aubergine eyelash cloche. To quell the excitement, last evening a friend and I attended the Milliners’ Guild Fashion Show.  It was quite a wild night (would you ever believe that?!), one that involved derobing all but the piece de resistance:  the hat!

Scarflette Tartlette

Next year's scarflette

Next year's scarflette, perhaps?

A gorgeous sparkle flourish increases allure to this scarflette.

Valentine’s Day 2010 marks the first year I am deeply attached to two loves. C’est pas vrai?!  The forbidden love triangle!

The first love goes to my dashing husband.  We will be inseparable as we brunch and crush on one another and our much beloved New York.  The tie that binds, the capstone to the love triangle, is the delicious buttery texture of a handmade scarflette, wrapped come-hitherly round the decolletage.

It seals the deal on a year of love –  thoughtfully crafted in unison.  One in which a supportive husband believes that his wife’s entrepreneurial aspirations and craft life are worth exploring;  And, one where a wife believes her computer engineering husband deserves to live a life surrounded by art, craft, design, and all sorts of visual intrigue and expression.

I guess this is one of those rare occasions where we welcome a third party into our relationship.  It’s a symbol of love and cooperation.  We hope to continue to craft a closely knit marriage of mutual support.

More akin to my humble scarflette. On Saturday, I will be meeting with my faithful tutor Victoria to fix dropped stitches and add buttons.

~ Cheers to all Scarflette Tartlettes!

What do you share in your relationships, in your marriages?

De Sign

I have often worried that design, a word I use as casually as the requisite articles a/an/the, had to be greater than the thoughtless contexts I accord with its name.  It is true, I have been guilty of emptying meaning in service of a simple way to express what I really see when I look about. So, I resort to exclamation points and ohh ahhhs.

A recent, soul-warming coffee clutch with a special blogpreneuse* at Wall Street’s Le Financier put words to my intellectual and, so it feels, spiritual conundrum.  Design talk is my cursory attempt to confer and convey significance without working on the substance beneath. In my world, you can believe I am always wearing a designer dress.

My way threatens to de sign design, to eradicate the historical, political, and social roots by looking into its shiny surface for the perfect reflection of myself.

From 2010 forward, I challenge myself to look beyond the surface, to research the antecedents of my visual desire and to know the history and emotions that thrust the object into my orbit.

I leave to you an excerpt on the etymology of design~

from its Greek definition, design is about incompleteness, indefiniteness, or imperfection, yet it also is about likelihood, expectation, or anticipation.  In its largest sense, design signifies not only the vague, intangible, or ambiguous, but also the strive to capture the elusive./Translating the etymological context into English, it can be said that design is about something we once had, but have no longer.

Dear Designers, Artists and Crafters,

How do you lend meaning to the objects before you?

*The special someone I speak of is @abcddesigns.  Find her.

Basel Miami 1: Critique My Art Aesthetic

Alex Katz, complementary colors, bright palette & simplified form

Alex Katz, complementary colors, bright palette & simplified form.

Rhinestoned animal is always an art plus

Rhinestoned animal is always an art plus.

Three oil paintings of old masters

Two oil painting replicas of old masters who, cleverly, appear to have been photographed.

IMG_1345

T. J. Wilcox mixed media of Austrian princess who was stabbed, but corseted so heavily that she didn't know until she took them off.  She bled to death.

T. J. Wilcox mixed media of Austrian princess (artist uses one of only a few extant photographs) who was stabbed, but corseted so heavily that she didn't know until she took it off & bled to death. Satisfies my taste for the Victorian macabre.

T.J. Wilcox

T.J. Wilcox

Louise Lawler The dark glow takes me to the inner sanctum of an Egyptian chamber

Louise Lawler The dark glow takes me to the inner sanctum of an Egyptian chamber.

Kehinde Wiley After Rubens, A piece of Michael Jackson that kept the art blogs buzzing.

Kehinde Wiley After Rubens, A monumental painting of Michael Jackson that kept the art blogs buzzing. Eeeeew, okay just noticed where my head lands in this painting. No wonder I look shell shocked and a bit like the King himself.

Kehinde Wiley Modeled after a deceased St. Cecilia.  Striking reworking of academic styles to fit modern subject matter.

Kehinde Wiley Modeled work after a deceased St. Cecilia. Striking reworking of academic styles to fit modern subject matter.

Presented by Fontana Gallery, Italy, the reflective surface of "Desire" offers a playful interplay between art and viewer.  Satisfying to see myself inside desire.

Exhibited by Fontana Gallery, Italy, the reflective surface of Desire offers a playful interplay between art and viewer. Satisfying to see myself inside desire.

Circle of food, a witty, dark take on our relationship with food?  I find it funny because my hubby says I have a symphony of food, dishes, linens dancing around in my head.

Circle of food, a witty, dark take on our relationship with food? I find it funny because my hubby says I have a symphony of food, dishes, linens dancing around in my head.

Detail of food

Food in grotesque detail.

Yinka Shonibare melds my penchant for the Victorian while exploring meaty topics of class, gender, race

Yinka Shonibare melds my penchant for the Victorian (fashioned out of African fabrics) while exploring meaty topics of class, gender, race.

Hannah Wilke takes on feminist issues.  Panders to my intellect,  not visual desires

Hannah Wilke takes on feminist issues. Captivates my intellect, not visual desire.

Luxury escalade as big marketing pimp.  Intrigued by the blank billboards, blank screen in car.  A comment on advertising and consumption?

Luxury Escalade as big marketing pimp. Intrigued by the blank billboards beyond, blank screen in car. A comment on advertising and consumerism?

Scope Miami

Completely flat yet appears 3-D, this art chair panders to my design side

Completely flat yet appears 3-D, this art chair panders to my design side.

A scrupulously knit wedding banquet with the a melancholy twist "Great Expectations" Miss Havisham

A scrupulously knit wedding banquet with the melancholic twist of Miss Havisham's "Great Expectations"

A painting that comes to life through the camera lens. Hauntingly Elizabethan

A painting that comes to life through the camera lens. Hauntingly Elizabethan.

A fairytale gone wrong.  Innocence lost.  Adulthood never actualized

A fairytale gone wrong with art-words to spur the intellect. Innocence lost? Adulthood never actualized? Whose fault?

Krel being interviewed by European video journal

Krel being interviewed by European video journal.

Krel, a fashion designer, made dresses on site & tailored to your body within the hour

Art fashion interlude: Krel, a fashion designer, made dresses on site & tailored to your body within the hour.

In this post and the next, I have intentionally made little comment.  What I’d love to know is how would you craft your own art collection?  What pieces would you  include and why?

If you have questions about artist or medium, do ask.  For Krel’s fashion, click Krelwear.

What-if Holidays

With Thanksgiving 2009 in the bag and my feeling a bit more like one, I have had a precious moment to reflect.

The fete commenced Wednesday night with the requisite - if you’re a New Yorker, a bit whimsical, and have a brood of kiddies –  visit to the Macy’s Parade balloon blow-up headquarters on the perimeter of the American Museum of Natural History.  What a blow out!  Indebted to a playful Blogher contributor and friend Suzanne Reisman who hosted a party for the event, the hubby and I experienced our first rain-soaked, festive gathering of thankful Manhattanites who, like me, worship Papa Smurf.

Papa Smurf and lots of rain

Big Daddy Smurf

Arriving home late, we shifted into pack-for-the-6am flight-to-the-in-laws-in-Chicago mode.  In an out of character move, I gave no advanced thought about what to wear for Thanksgiving.  Game plan: go with the gut.  After all, that’s what a good part of the holiday centers on.  Amongst an abundance of dresses, tops, shoes, tights and accessories, I stuffed the luggage full of whatever seemed right.  With the last zip of the London Fog travel gear, we were off.

As dawn broke outside the window of seat 24B, it, well, dawned on me that something unusual had happened.  I turned to hubby, poked his shoulder, and shouted with a fusion of awe and glee that I think I had dressed like a turkey.  Huh, he says?!

What-if holidays we dressed the part?

Thankfully it was not a literal interpretation, rather a mere channeling of the Thanksgiving spirit, but it was a significant “coincidence” that warrants an extra forkful of sharing.

* The layered ruffles of the J.Crew dress with iridescent purple and chartreuse hues look a tad like the plumes of feathers on the turkey’s bodice, right?

* The striped turtleneck could be mistaken for the wings or tough dark skin on its legs, no doubt?

* The patent leather brown oxford shoes with the talon heel, could they not be the bird’s feet?

* And, c’mon, the rose scarf hanging loosely around the neck?  Is that not the turkey’s wattle?

When the ensemble that emerged from my suitcase was fully arranged, I and my wattle had a glorious gut-busting laugh.

On this What-if Holiday, I continue to be thankful for the freedom to express and the abundant ways that one can go about it.

My muse

My muse

A turkey impression that I can't believe I am posting

A turkey impression that I can't believe I am posting

Displaying my turkey flair

Displaying my turkey flair

It reminds me of a recent visit with mom to see the exhibit “Rare Bird of Fashion:  The Irreverent Iris Apfel” at the Peabody Essex Museum.  Iris is a rare bird, summoning the spirit of her interior life and making it visible to the world.  Her audacious expressions rejuvenated my spirit, leaving me with that extra boost of chutzpah to go out into the world with all my feathers splayed.

Click on the links above for an amazing application that allows you to curate Ms. Apfel’s wardrobe for yourself! A perfect opportunity to play What-if I . . .?

Armed and Aproned

Terrified I would be imprisoned by a virulent strain of the Betty Draper Disease, I for months shied away from this project.  Apron equaled apathy.  Apron equaled anxiety.  Apron equaled Anger.  Apron equaled adultery.

The only Betty I wanted to be is Betty Friedan, but with the blonde bombshell body of TV Betty, of course.

Necessity got in the way.  I love to cook, to play with culinary concepts of balance, precision, and chance.  This evening,  I’ll be working on the braising technique for  a homemade veal Osso Buco.  All this fun can get messy, though, and a mess always leads to cleaning.

Apron

I needed an apron to be effective.  I needed an apron to do battle in the kitchen without reservations.  I wanted to be armed.

By reshaping the significance of the apron, I no longer feared it.  In  my world, the apron would be armor.  A rather colorful form of protection, yet a worthy and kitchen-capable one nonetheless.  Most noteworthy element of its design? It’s my hand craft.

Etsy Labs’ Church of Craft (first Sunday of  the month) provided the sewing machine and  fabric remnants.  In line with efforts to green the globe, the apron has also come to symbolize a dedication to my belief system.  I’m a recycler! Not a drippy Draper!

bath-towel-apron

The closeup doesn’t show it, but I’ll fess up.  The stitching is slapdash at best, zig-zaggy drunk at worst.  I used directions to get the basic format and dimensions of a typical apron, but from there I flew wildlike into the unknown. Improvising is a great quality, but patience and an ability to decipher directions would be a plus.

Seizing the moment, without judgment, is an intoxicating high.  Armed with my apron and a the scent of an apple pie bubbly baking, I’ve crafted a high that never ceases to pleasure.  If only Betty Draper were armed with this aroma.

Love, Loss and What You wore?

loveloss

I’ve been meaning to read the book Love, Loss and What I Wore by Ilene Beckerman,  but am happy to know it’s now been made into a Broadway play by Nora and Delia Ephron.

This morning, the Ephrons are visiting the Martha Stewart Show, reminiscing with great nostalgia about what they wore to their first proms and to their brownie meetings.  The domestic doyenne doesn’t hesitate to share a story about how she hid a bra from her mother (who was apparently in denial about Martha’s burgeoning womanhood) in the back of her closet until her displeased mother discovered it.

We all have memories of what we wore when a significant event happened in our lives.  The Aussie actor Simon Baker remembers handmade swim trunks, my mother remembers the-in-her-words jazzy raincoat and hat she made during her college days.  I remember a friend’s black poodle skirt that I’d beg to wear any chance I got.  I felt transported to the 1950s, a period that I had assumed was America’s utopia.

What were you wearing?

Simon Baker Sews Respect on Rachael Ray

rachael_ray_show

An unbeatable benefit of living in New York City is the variety of unique opportunities at our disposal on any given day. One of them was scoring tickets to the Rachael Ray Show.  Admittedly, I have never identified with her TV persona, finding the cloying cookery lingo excessive. EVOO FOREVER!

She is a different woman in person – much sharper, all business, and very real.  When Simon Baker came to the show, Rachael drew a wealth of information from this hunky, yet surprisingly introverted star.  She also turned the actor of The Mentalist into a sentimentalist.

When Rachael brought the discussion to Patrick Jane’s trademark vest – a wardrobe selection he believed best suited the character – Baker’s tone abruptly changed from shy to unreserved and emotional.  Sitting up straight and looking the audience dead in the eye, Baker explained the genesis of his appreciation for sartorial sentimentalism.  He recounted with warm reverence how, as a boy, his mother sewed all his clothing, including a pair of swim trunks that performed like Quiksilver’s, yet were made with a love that can only only come from the labor of a mother’s hand.

Baker’s unexpected foray into the domestic scene of his childhood was an intimacy that encouraged tears.  But, beneath the tender moment, I felt a sickening panic rise within.

My future self wants my kiddies to remember the handmade hugs that protected them during their stormiest and sunniest of days.  My present self is at odds with the sewing machine. Even when I do get the beast to hum along, will I have opened Pandora’s sewing box?

By the way, can anyone identify me in the audience snapshot above? Here’s a hint.