Posts Tagged ‘Market’

Alcohol + Accessories

In the 1920s, cloches were coded. A firm knot trim indicated the wearer was married and unavailable. An arrow-shaped ribbon indicated a single girl that was already in love, and a flashy bow meant single and looking for love!

Craft your own cloche? Click here.

Recession depression is curable, so it seems.  A furtive swig from the forbidden flask under the cover of a coveted cloche is the perfect cocktail for hard times. A Valentine’s Day visit to Soho’s The Hat Shop reaffirmed this medical fact.

Historically, during financial crises sales of alcohol and accessories climb.  Linda Pagan, proprietress of SoHo’s The Hat Shop and devotee to the church of chapeaux (I suspect she has a hat for every day and occasion), remarked that last year business boomed.   Why would I not contribute to her good fortune, a gesture that not only warms the head but the heart? Millinery is a handcraft infused with historical, political, and social importance, and one that requires concerted attention to preserve.  From top hat to bonnet to veil, what is worn on the head tells many tales – some tall, some short – of the person underneath.

As a gift from my husband and in our effort to support the handmade, I anxiously await a custom aubergine eyelash cloche. To quell the excitement, last evening a friend and I attended the Milliners’ Guild Fashion Show.  It was quite a wild night (would you ever believe that?!), one that involved derobing all but the piece de resistance:  the hat!

Auction Connection

A stunning pair of mercury glass obelisks that caught my fancy.

‘A symphony of plates, and vases, and silverware and candlesticks,’ he inevitably shouts my way, but I cannot focus. My peripheral vision has caught sight of a cobalt and salmon lustreware pitcher on the bottom shelf of a glass display case.  I fumble inside to inspect the piece firsthand, an activity that involves drawing it to the eye or under my handy magnifying loop, all while twirling and turning it around and upside down for signs of irreparable damage. ‘dances in your head! he continues, Is this (pointing at the lustreware in my death grip with a knowing smirk) going to be part of our symphony?’

Mayybe?‘ I  husband-probe, ‘How do you feel about it?’

And so goes the way of conversation after conversation hinged on our collecting dreams. Saturday afternoon’s grand tour of  Doyle At Home ~ Fine Furniture, Decorations, and Paintings unfolded in much the same way as previous auction previews. Whether collecting for pleasure or the pragmatic, the discussion invariably leads to chat of aesthetics and economics.  Do we both love it?  Can we afford it?

As young collectors, it is prudent to peruse the wares at as many fleas, estate sales, galleries, art and craft fairs, antique shows, and auction previews long before purchasing.

Below is a short, yet suitable list to familiarize you with the larger auction houses as well as smaller regional auctions. Wherever you are, there is an auction for you.

Interior Designers snap up settees like this for a bargain, refurbishing and reupholstering for a spectacular return.

Dizzy from the symphony of china and crystal dancing through my head, this velvet jewel-toned chaise lounge had just the right Hollywood vibe for a good faint.

Camel back sofa with great bones. The Euro-oriental kitsch and the pearlescent sheen of the fabric was a tad over the top.

Antiques and the Arts Online, offers a comprehensive overview of  auctions taking place across the United States

Bonhams and Butterfields

Christie’s

Doyle New York

Freeman’s, American Furniture, Decorative & Folk Art, English & Continental Furniture & Decorative Arts, Asian Arts, Fine American & European Paintings, Modern and Contemporary Art, Rare Books, Fine Prints, Oriental Rugs, Fine Jewelry & Silver, and 20th /21st Century Design

iGavel online auctions,  fine arts, antiques, and collectibles

Phillips De Pury & Company, specializing in contemporary art

Sotheby’s

Swann Galleries Auctioneers, specializing in rare books and works on paper

Tepper Galleries

Waddington’s

Wes Cowan’s Historic Americana Auctions, specializing in Native American art and antiques

Do you know of any well-regarded large or regional auction houses near you? What treasures can be found there?

At the Guggenheim ~ Museums and Art Alienation

Guggenheim Rotunda. Photo by Robert C, c-monster.net

I have often found myself in front of a museum canvas – a Titian, an Ingres, a Pollock, what have you – deadly thumbing the vibrant band of beads around my neck, which only moments before had given pure delight.  All senses vanquished. Just numb.

Or dumb?

Why can’t I be moved?  Why doesn’t this priceless work captivate me? Where has the damn luster in my necklace escaped?

This art is better than I am.  It knows more than I.  Other people feel it, get it. I know it’s worth more than I could ever amount.  The auction records say so! It’s in a museum.

And here I say this, hailing from an educational and professional background that would assume otherwise.

Today, at the Guggenheim Museum, I learned just why I don’t get it.  Why sometimes others may not get it, though don’t propose to confess.

On participation (not view) is a conceptual work by Tino Sehgal.  The entire Frank Lloyd Wright-designed rotunda has been stripped bare of all material works.  In its place, Sehgal has hired and trained area youth and adults to interact with museum visitors on a purely verbal plain.  There is nothing concrete to have, nothing one can buy.

You become the work.  You create.  You matter.  You become the matter.

This is how art moved – moved me ~

Mise en scene: I enter museum rotunda and begin the slow, spiral journey upward.  Enter Eric, an 8-year old boy. He is abrupt and stuns me.

Eric: What is progress?

Me: What? Ummmm. Hmmm. Well, okay, to me our view of progress is troubled.  Is progress always moving away from something, assuming that the next thing is better? What’s the proof?  What if it were progress to go back in history and live like farmers?  But that’s not how I’ve been trained to think of progress.

Eric: (He’s been listening intently).  Let me see if I understand?  (He repeats what I said, seeming to process its meaning).

(Eric is approached by a young girl named Fatima.  She’s in middle school.  Eric tells Fatima what I said.  Eric leaves and Fatima continues to walk with me around the rotunda.)

Fatima:  I’ve not heard that view of progress before.  I get it! I really do! Is progress what Government is doing today by bringing back Roosevelt’s New Deal tactics?  Is it good to reissue methods used during the Great Depression today?

(Fatima is met by Mark.  Mark is tall and skinny, probably in his early-30s).

Mark:  Is it bad when preferences become rules?

Me: Oh my God, that’s a great question.  I guess preferences quickly become defense mechanisms, shutting you down?

The dialogue continued onward to the rotunda dome.  I was exhilarated, moved, scared, alive!  As I made my way slowly down the rotunda ramp, I shouted to Mark, “This is progress!”

I didn’t feel art-alienated anymore.  I mattered.  I made “matter.”  I feel the same way when I craft.

I’m ready to go back to the museum canvas.

Similar art ailment? I could be alone.

Auctions and My Art Story ~ An Approach to Collecting

By this juncture, I just may have established that I’m clueless when it comes to crafting.  What I have not said is that in other areas, well, I’m just not that clueless.

There, I’ve come clean.

While I don’t intend to debunk the validity of my clueless crafting – afterall, I relish in the freedom it has given me to fail with a smile – I don’t want to withhold what by nature captures my fancy.

Back Art Story

I’m trained academically in art history and professionally in the inside world of the art market at the Fashion Institute of Technology, New York (Click here for more on this amazing program).

I’ve plodded along in the fascinating fields of art appraisal and the recovery of stolen and looted art & objects.  Before this,  in a large bank organizing an art lecture series for prominent collectors.  And, delightfully true, when one lives in a center for art trade, how could she not have spent countless hours in galleries, museums and auction houses?

Future Art Story

Now I’m slowly transitioning to the other side:  the would-be collector.  If even I have auction apprehension, I can only presume that others do as well. But what makes me hopelessly attached to the auction format is the adrenaline rush of competition.  In my world, that plastic paddle is a menacing weapon, asserting autonomy and art audacity.  I’m declaring the right to make life beautiful and meaningful.  This right, however, only comes with work – your work.

Your Art Story

* Get acquainted with art and antiques that will financially never be within reach.  In the museum, works have been vetted by specialists.  They know (most of the time) what is authentic.  Put yourself in their eyes.  You may have seen a similar painting or sideboard in your grandmother’s attic, but how does the one in the museum differ?

* Go to auction previews.  They are free, open to the public, and welcome questions.  Specialists will be milling about, at the ready to answer your thoughtful questions.  So you want to look at the back of the painting for signs of restoration or damage?  Perfect! Ask to have them take it down so you can have a good look.  You can’t do this in a museum, so get in there and go for it.

* Go to galleries whose works most represent your taste. If you don’t know your taste, all the better.  Explore!  Begin to forge a relationship with the dealer, which will in turn allow you to profit from her expertise. Consider her a teacher willing to impart knowledge to a future client.  Afterall, if you do purchase, her commission is the result of your education.

* Do your own research.  Google. Read books.  Check online art databases for recent auction results for your artist, genre, Regency chair. Visit other galleries, museums, auction houses, non-vetted group shows, artists’ studios, non-profits, corporate art collections, the hospital waiting room.  Be autonomous. Be audacious.

I’ve been tromping around New York for years and I’m still not comfortable with the art and antiques world scene.  It’s a growing process.  Whether you live here or in a small town seemingly off the map, people are and have been creating exquisite works of expression.  The above tips are not relegated to my geographic location.  As art is everywhere, in subsequent installments I will share with you resources such as websites; books; online auctions; art & antique sale indexes; building relationships within the art world; and steps to ensure your purchase is indeed authentic.

Now, I’m curious.  Share a story or anything you know or want to know about acquiring art, antiques, collectibles, and furniture at auction.

Don’t Be Tardy for the Party

Alrighty, are we officially tired of all this Basel ballyhoo? Good.

Moving on from that yawner, I’d like to share some fantastic news with you! It has come to my attention that I have created a new profession for myself, perhaps even a new profession for personkind.  It wouldn’t be a stretch, self promotion or propaganda of any sort to posit that this new field could cure joblessness – forever.

I am a watcher of famous people (see, I'm just like that camera!).  All. Eyes. On. Them.

I am a watcher of famous people (see, I'm just like that camera!). All. Eyes. On. Them.

I’m adding the soon-to-be-respected title Professional Audience Member to my resume.  At 8 am tomorrow, I will plop my toosh in Wendy Williams’ pink candy fluff TV studio, at the ready to holler for my honey.  As she personally requested in the official mass email correspondence, I am not planning on being tardy for this party.  This is probably one of the best professional assignments I’ve gotten to date.  I can say that with confidence on the eve of my sixth TV appearance,  some of those ranked America’s finest daytime TV sets.

To all of you who have considered this your career, I’d like to share a few caveats.  This  is not for the weak.

1.  Consider your physical fitness before diving in.  Standing is required.  There are long lines to get in, longer lines for the restroom and an even longer line to get out.  Security is no joke; if you plan on stealing a memento of your visit, say a chair or an autographed photo be prepared to visit the slammer.

2.   Secondly, they don’t heat the studio, so layer up.  It has something to do with the lights generating a lot of heat, but I don’t buy it.  Anyways, it is what it is so bring a snowsuit if that will keep you warm.

3.  Finally, hunger can set in unexpectedly.  A perk of the profession is that they often provide free coffee and packaged double chocolate Sara Lee muffins before, but once the show starts be prepared to starve.  I suggest keeping a flask of water at the ready and/or an energy bar velcroed around your waist, under your shirt of course.  Sometimes I wear an adult diaper in case of an emergency bathroom need.  We all know what coffee and a cold room will do for the bladder.

I would love to illuminate the finer points further, but being a Professional Audience Member requires a well-hydrated, super rested body.  I will not be the Clueless Clapper, the last one to clap when queued by the audience warm up guy!  That’s room for automatic dismissal and totally embarrassing.

Here’s the list of all my famous debuts.  Hope you’re not jealous, but you probably are.

* The Wendy Williams Show

* Good Morning America

* The Maury Povich Show (I came home with a bad case of carpel tunnel attributed to overclapping.  Just another day on the job)

* The Rachael Ray Show

* Bravo’s Top Artist (yet to air)

* The Martha Stewart Show

Adieu, my fans!

Basel Miami 2: Critique My Art Aesthetic

Within the week, I will pen my thoughts on what it was like to go to Art Basel, to be at the most exclusive happening of the contemporary art world.

Until then, peek at the last few works I captured from Pulse Miami, one of Basel’s 15 satellite fairs.  Imagine what it would be like to own an original, a piece of art that made you think or feel something you had never experienced before.  What would that work look like?

If you’re not into the art, then check out a blog I frequent to keep up with my dose of art market news and gossip.  I know this journalist-blogger and respect her insight.

Click here for Basel and Scope artworks part 1.

Pulse Miami

Not afraid of the Kindle, this work captures the essence of book as art as decor.  They speak volumes.

Not afraid of the Kindle, this work captures the essence of book as art as decor. They speak volumes.

Baroque beauty.  Jewelry as art.  Again, a bit more of my design side.

Baroque beauty. Jewelry as art. Again, a bit more of my design side.

Sun, water, zizzle zazzle.  Miami.  Looks like by the end of Basel, I became a design hound.

Sun, water, zizzle zazzle. Miami. Looks like by the end of Basel, I became a design hound.

Bureaucratic beauty.  This will be placed next to the Baroque beauty.  Good bye Miami, back to the office.

Bureaucratic beauty. This will be placed next to the Baroque beauty. Good bye Miami, back to the office.

Basel Miami 1: Critique My Art Aesthetic

Alex Katz, complementary colors, bright palette & simplified form

Alex Katz, complementary colors, bright palette & simplified form.

Rhinestoned animal is always an art plus

Rhinestoned animal is always an art plus.

Three oil paintings of old masters

Two oil painting replicas of old masters who, cleverly, appear to have been photographed.

IMG_1345

T. J. Wilcox mixed media of Austrian princess who was stabbed, but corseted so heavily that she didn't know until she took them off.  She bled to death.

T. J. Wilcox mixed media of Austrian princess (artist uses one of only a few extant photographs) who was stabbed, but corseted so heavily that she didn't know until she took it off & bled to death. Satisfies my taste for the Victorian macabre.

T.J. Wilcox

T.J. Wilcox

Louise Lawler The dark glow takes me to the inner sanctum of an Egyptian chamber

Louise Lawler The dark glow takes me to the inner sanctum of an Egyptian chamber.

Kehinde Wiley After Rubens, A piece of Michael Jackson that kept the art blogs buzzing.

Kehinde Wiley After Rubens, A monumental painting of Michael Jackson that kept the art blogs buzzing. Eeeeew, okay just noticed where my head lands in this painting. No wonder I look shell shocked and a bit like the King himself.

Kehinde Wiley Modeled after a deceased St. Cecilia.  Striking reworking of academic styles to fit modern subject matter.

Kehinde Wiley Modeled work after a deceased St. Cecilia. Striking reworking of academic styles to fit modern subject matter.

Presented by Fontana Gallery, Italy, the reflective surface of "Desire" offers a playful interplay between art and viewer.  Satisfying to see myself inside desire.

Exhibited by Fontana Gallery, Italy, the reflective surface of Desire offers a playful interplay between art and viewer. Satisfying to see myself inside desire.

Circle of food, a witty, dark take on our relationship with food?  I find it funny because my hubby says I have a symphony of food, dishes, linens dancing around in my head.

Circle of food, a witty, dark take on our relationship with food? I find it funny because my hubby says I have a symphony of food, dishes, linens dancing around in my head.

Detail of food

Food in grotesque detail.

Yinka Shonibare melds my penchant for the Victorian while exploring meaty topics of class, gender, race

Yinka Shonibare melds my penchant for the Victorian (fashioned out of African fabrics) while exploring meaty topics of class, gender, race.

Hannah Wilke takes on feminist issues.  Panders to my intellect,  not visual desires

Hannah Wilke takes on feminist issues. Captivates my intellect, not visual desire.

Luxury escalade as big marketing pimp.  Intrigued by the blank billboards, blank screen in car.  A comment on advertising and consumption?

Luxury Escalade as big marketing pimp. Intrigued by the blank billboards beyond, blank screen in car. A comment on advertising and consumerism?

Scope Miami

Completely flat yet appears 3-D, this art chair panders to my design side

Completely flat yet appears 3-D, this art chair panders to my design side.

A scrupulously knit wedding banquet with the a melancholy twist "Great Expectations" Miss Havisham

A scrupulously knit wedding banquet with the melancholic twist of Miss Havisham's "Great Expectations"

A painting that comes to life through the camera lens. Hauntingly Elizabethan

A painting that comes to life through the camera lens. Hauntingly Elizabethan.

A fairytale gone wrong.  Innocence lost.  Adulthood never actualized

A fairytale gone wrong with art-words to spur the intellect. Innocence lost? Adulthood never actualized? Whose fault?

Krel being interviewed by European video journal

Krel being interviewed by European video journal.

Krel, a fashion designer, made dresses on site & tailored to your body within the hour

Art fashion interlude: Krel, a fashion designer, made dresses on site & tailored to your body within the hour.

In this post and the next, I have intentionally made little comment.  What I’d love to know is how would you craft your own art collection?  What pieces would you  include and why?

If you have questions about artist or medium, do ask.  For Krel’s fashion, click Krelwear.

Clueless Goes to Miami

art basel

This turkey is off to baste in the Miami sunshine.  That’s right, ladies and lads, tomorrow I’ll be  up with the roosters and on my way to Art Basel Miami Beach, an international contemporary art fair with more than 250 premier galleries in attendance.

My descent on Miami symbolizes the culmination of my graduate studies, a chance to see the art market in action.  But I come from two camps:  one that views art outside the realm of commerce – the art historian side; the other that knows that art and artists need the market to survive. Before the credit crash, Basel (marketers) and others glorified art as commodity, promoting fairs as playgrounds for the wealthiest – often with precarious egos; some without apprehension of art and its history –  to mental masturbate en masse (“hobnob,” I believe is the appropriate term).  Art, so it seemed, was not the primary reason to be there.  Hmmm.

elle decor miami

art basel cartier

Has economic  hardship changed the face of the art world?  The meaning of art?  Respect, appreciation and knowledge of art and artists?  These are the thoughts that frequently mill through my mind, and will be when I meander through the booths at Miami.

art booth

Now, if you’ll excuse me I have to pack, preen, slap on a fake tan, grow some breasts, and craft a few art-conversation topics to hobnob with those who may be more clueless than I.  Wink and a nod.  Oh yeah.

What say you about art and the market?  Blurt out the first word that comes to mind.

See New York Magazine’s Holiday in the Sun, a good read for the uninitiated.

Falling for Folly Cove Design

This morning I woke to a sharp chill in the air.  Fall has enveloped Manhattan; The trees along Riverside Drive are expressing the season in a bounty of warm shades. Tomorrow I’m taking a moment to head north for a short, but most-always sweet visit with mom and dad.  My room awaits me in their Spanish stucco “casa” on a craggy cliff overlooking Good Harbor Beach.  This is my Gloucester.

gossips

Cape Ann is a quirky place.  Gloucester, located on the Cape is no different.  It’s an extremely patriotic place; the entire community honors those that have served.  From what I gather, Gloucester youth are frequently poached or are passionately driven into combat.  Many generations of this town have wrenching gaps in their family histories.  I think the fisherperson’s spirit, the desire to subordinate the impossible wave for a fresh catch, just may be synonymous with that of the soldier.

Artists have cast their nets here too.  Light, sea, air, wetlands, and rocky lands have attracted celebrated painters – European and American – to folk artisans and craftspeople for hundreds of years. Winslow Homer, Childe Hassam, Cecilia Beaux only begin the story.

Last spring we visited the WPA murals housed within many of Gloucester’s civic buildings.  The tour began at the Cape Ann Historical Museum, where I first came in contact with Virginia Lee Burton’s work.  Burton was the creative force behind the highly successful textile collective called Folly Cove Designers. Begun in the 1930s on Gloucester’s Folly Cove, the collective celebrated arts and crafts movements of the past by using traditional methods of art making that did not rely on machines.  Burton’s vibrant and colorful block prints can be universally appreciated, but at the same time speak volumes about the place where they originated.  ”Gossips” (above) vocalizes the quaint, yet peculiar qualities of this small New England enclave.  Her work, and many of the Folly Cove Designers, never threaten to bore.

I aspire to snatch a set of placemats or table cloth at auction some day soon.  To have the energy of a self made woman such as Burton permeating my home, offering daily inspiration to life’s journey would be a wonderful gift.  Until then, I will be making frequent visits to the museum.

I’m off to the shore to gather thoughts, investigate what it means to build oneself and one’s business.  Thank you for your comments, tips and many, many emails last week.

For further reading, check out Vogue’s May 2008 article here.

Black Dancers

Blue House

Lime Dancers

Curate to Differentiate?

curate

Image credit Tim Gough

TheCluelessCrafter.com: Exploring the Craft of becoming self Made.

Huh? Whaaat?  I know. . . . I know.  Such a mouthful! I’m itching to do an overhaul of this cumbersome tagline, to welcome you to a site that sparkles from top to bottom.

Yes, I’ve had trouble branding my blog before.  Back at it again!  This time, despite all the “I, me” talk, I (oh god, I’m saying it again) need your help!

Which brings me to this.  In the Sunday, October 4th Style Section of the New York Times,  Alex Williams’ article “On the Tip of Creative Tongues” got me thinking big. The topic: curate. Once a high-minded word pertaining exclusively to the management and dissemination of museum quality art works, it has been refashioned to meet a new need.  Today, so it seems, many creatives want to be part of the curate continuum.  We all want to feel we can curate a fine-tuned collection of something, right?  Etsy, for example, invites guest curators – a spicey version of guest bloggers – to contribute to its site. Eric Demby, founder of Brooklyn Swap Meet, swears he “personally curates the food stands.”

I believe I curate all aspects of my life, large and small.  I pick and choose meaningful people to fold into my private world as carefully as I select the napkin that will go with the flatware.  I’m trying to curate some dynamic, harmonious whole that represents the essence of me.

I’m editing the world into what I want to see.  This is the world I want to live and die in. So, too, are many artists and crafters.

Voting Time

In your HONEST (preferably, gentlest) opinion, does what I’m saying even make sense? If this is not a baseless argument, please vote on some of the new versions I’ve come up with.

TheCluelessCrafter.com. . .

  1. Exploring the craft of the self curated
  2. Exploring the craft of the curated self
  3. Exploring the craft of the spiritedly curated
  4. Exploring the craft of the passionately curated
  5. Eeek! They’re all no good

What’s Your blog’s tagline and Why?